JENNIFER HALLI
  • Sculpture
    • Park, 2023
    • Cerulean Latency, 2023
    • Clepsydra, 2022
    • Window I, Window II and Window III, 2020
    • Impossible Shrines, 2019
    • Float | Pōrena, 2019
    • Measuring to a Saint, 2019
    • Clark's Point Cento, 2018/2019
    • SeaWallCento: May 2018
    • With Feet Opposite: March 2018
    • 256: November 2017 - February 2018
  • Printmaking
    • the other side of better Prints, 2021-2024
    • Time Lapsed/Blue Prints 2022-2024
    • Ngāmotu Prints, 2023
    • Kāwhia Prints, NZ, 2020
    • Driving Creek Prints, 2020
    • Watershed Prints, 2019
    • Collagraphs 2017 - 2019
    • Collage + Sculpture, 2015-2016
  • Projects
    • Reta Aroha Ki Te Mounga, Love Letters to the Mounga, 2025
    • Saint Lucia (Lux), 2025
    • Disheartened, 2024
    • Little Free Library, 2024
    • ImMaterial, 2023
    • Watching Grass Grow. 2021/2022
    • MIGHT COULD
  • Ceramics
    • Lamingtons, 2017
    • Restless, 2017
    • The Antipodeans, 2014-2016
    • Pods, Bipods and Tripods, 2011 - 2013
    • Rudnick Trail Mural, 2011/2012
    • Baking Dishes
    • Flasks
    • Plates & Platters
    • Teapots
    • Wood Firing
  • CV
    • Biography
  • Thank You
BIOGRAPHY
Jennifer Halli was born in Pittsburgh, Pennsylvania, raised in South Carolina and immigrated to New Zealand in 1998. She studied Ceramics, Printmaking and Metalsmithing and earned a BA in Art Education from East Tennessee State University and an MFA in Artisanry from the University of Massachusetts|Dartmouth in 2019 as a Distinguished Art Fellow.

She has worked with world-renowned artists from the USA, UK and Australia and exhibited in Australia, Belgium, Denmark, Italy, Japan, Jersey, Aotearoa New Zealand, Taiwan and the USA. She has been a resident artist at Watershed Center for the Ceramic Arts, Driving Creek Potteries and worked with the Morning Boat on the island of Jersey (UK).

In 2025, Halli was a finalist in the Molly Morpeth Canaday Awards and in 2023, she won the New Zealand Printmaking and Painting Awards top prize for Printmaking. Noteworthy publications include: Meet the Maker, NZ House & Garden, Imprint magazine, Print Council of Australia, the other side of better, by Michelle Elvy, Ko Aotearoa Tātou | We Are New Zealand, Otago University Press and Neue Keramik/New Ceramics magazine and SchoolArts, Davis Publications (USA).

She is currently based in Ngāmotu New Plymouth, works as a full-time artist and is the owner/curator of MIGHT COULD, an experimental art project space.
  • Sculpture
    • Park, 2023
    • Cerulean Latency, 2023
    • Clepsydra, 2022
    • Window I, Window II and Window III, 2020
    • Impossible Shrines, 2019
    • Float | Pōrena, 2019
    • Measuring to a Saint, 2019
    • Clark's Point Cento, 2018/2019
    • SeaWallCento: May 2018
    • With Feet Opposite: March 2018
    • 256: November 2017 - February 2018
  • Printmaking
    • the other side of better Prints, 2021-2024
    • Time Lapsed/Blue Prints 2022-2024
    • Ngāmotu Prints, 2023
    • Kāwhia Prints, NZ, 2020
    • Driving Creek Prints, 2020
    • Watershed Prints, 2019
    • Collagraphs 2017 - 2019
    • Collage + Sculpture, 2015-2016
  • Projects
    • Reta Aroha Ki Te Mounga, Love Letters to the Mounga, 2025
    • Saint Lucia (Lux), 2025
    • Disheartened, 2024
    • Little Free Library, 2024
    • ImMaterial, 2023
    • Watching Grass Grow. 2021/2022
    • MIGHT COULD
  • Ceramics
    • Lamingtons, 2017
    • Restless, 2017
    • The Antipodeans, 2014-2016
    • Pods, Bipods and Tripods, 2011 - 2013
    • Rudnick Trail Mural, 2011/2012
    • Baking Dishes
    • Flasks
    • Plates & Platters
    • Teapots
    • Wood Firing
  • CV
    • Biography
  • Thank You