JENNIFER HALLI
  • Sculpture
    • Window I, Window II and Window III
    • Float | Pōrena
    • Impossible Shrines
    • Measuring to a Saint
    • Clark's Point Cento
    • SeaWallCento: May 2018
    • With Feet Opposite: March 2018
    • 256: November 2017 - February 2018
    • Lamingtons
    • Restless
    • The Antipodeans
    • Pod, Bipods and Tripods
  • Printmaking
    • Prints - Kawhia, NZ 2020
    • Prints - Driving Creek 2020
    • Prints - Collagraphs 2017 - 2019
    • Prints - Watershed 2019
    • Prints - Collage + Sculpture
  • CV
    • Biography
  • Thank You
  • Video
  • Wood Firing
Watershed Center for the Ceramic Arts 
Summer Residency: 
Ephemerality in Clay
UMassD/Watershed scholarship recipient, June 2019


This residency, organised by Kate Roberts, focussed on raw clay's qualities, capabilities and connection to place. The forms and history of Watershed’s studio, named the Factory, led the way to prints based on photographs I took within the Factory. After adapting a slab roller to a printing press, I carved linoleum plates and printed them on a thai kozo light paper using using local materials as pigment: Watershed raw clay, Watershed fired clay and wood ash.
Slab Roller Printing Press
Picture
Window Pane Inking Surface
Picture
The Factory, 2019
4 prints: Woodash + ink, 06 Watershed clay, raw Watershed clay embedded in transparent base on Thai Kozo light, mounted on Rives BFK
​20 x 10"

Brick Hill, 2019
4 prints: Woodash + ink, 06 Watershed clay, raw Watershed clay embedded in transparent base on Thai Kozo light, mounted on Rives BFK
20 x 10" (4-up) and 10 x 10" (single)
Stockpile, 2019
4 prints: Woodash + ink, 06 Watershed clay, raw Watershed clay embedded in transparent base on Thai Kozo light, mounted on Rives BFK
​20 x 10" (4-up) and 10 x 10" (single)
Waterstruck, 2019
4 prints: Woodash + ink, 06 Watershed clay, raw Watershed clay embedded in transparent base on Thai Kozo light, mounted on Rives BFK
​20 x 10" (4-up) and 10 x 10" (single)
12 Boards, 2019
4 prints: Woodash + ink, 06 Watershed clay, raw Watershed clay embedded in transparent base on Thai Kozo light, mounted on Rives BFK
​20 x 10" (4-up) and 10 x 10" (single)
  • Sculpture
    • Window I, Window II and Window III
    • Float | Pōrena
    • Impossible Shrines
    • Measuring to a Saint
    • Clark's Point Cento
    • SeaWallCento: May 2018
    • With Feet Opposite: March 2018
    • 256: November 2017 - February 2018
    • Lamingtons
    • Restless
    • The Antipodeans
    • Pod, Bipods and Tripods
  • Printmaking
    • Prints - Kawhia, NZ 2020
    • Prints - Driving Creek 2020
    • Prints - Collagraphs 2017 - 2019
    • Prints - Watershed 2019
    • Prints - Collage + Sculpture
  • CV
    • Biography
  • Thank You
  • Video
  • Wood Firing